Augmented Reality for the Presentation of Cultural Heritage: On-Site Application and Evaluation of a Model

Authors

DOI:

https://doi.org/10.15320/ICONARP.2023.244

Keywords:

Augmented Reality (AR), visitor experience, architectural (re)presentation, Alexandria Troas, podium temple

Abstract

 This paper comes out of a scientific study concerning development of an AR model for the presentation the archaeological site of Alexandria Troas for the visitor experience, and on-site application of this model, through a case, namely the Podium (or Forum) Temple, to investigate the nature of that experience provided by AR and its implications as well. The study is established upon the proposition that “AR is tailored to fit to provide a compatible, accessible, and sustainable presentation of historical built environments and archeological sites to public experience, while respecting much of the problem(atics) coming along with norms and privileges of historical heritage preservation and conservation.” Departing from this ultimate proposition, it sets out a framework of questions to address. This paper provides a summary of the whole research, followed by the detailed description of the methodology and process concerning the developed model’s on-site application, and a succinct presentation of its findings, finally, an account of the research as a means of testing the research questions. Findings confirm much of the assumptions deriving from the initial proposition and showed the great potential of AR towards this end as expected. A number of issues and problems were surfaced as well, some of which are oriented from the technologies concerning the AR itself, while others are related to the limitations of the proposed model and its on-site execution. Furthermore, the research indicated a number of matters to address and possible ways to expand such research. All in all, we argue that the research yielded a number of valuable results and insights in addressing the departing problem situation, while it also posed new questions and research paths to follow for new research.

Metrics

Metrics Loading ...

Author Biographies

Hakan Anay, Eskişehir Osmangazi University

Hakan  Anay  has  bachelors,  masters  and  Ph.D.  Degrees in architecture from the Middle East Technical University. Fields of interests are architectural design, design research, design criticism and theory.  He is currently working on Augmented Reality and Artificial Intelligence in Architecture, with a particular emphasis on presentation of built heritage and design of augmented experiences.

Ülkü Özten, Eskişehir Osmangazi University

Ülkü Özten holds masters and Ph.D. degrees in Architecture from the Middle East Technical University. She teaches architectural theory and conducts design studio in Osmangazi University Department of Architecture. Fields of interests are epistemology, theory and criticism of architectural design, architectural research. She is one of the editors of the Architecture Theory Library project in ESOGU with Hakan Anay) and currently working on experience of space based on Augmented Reality and Artificial Intelligence.

Merve Ünal, Eskişehir Osmangazi University

Merve Ünal graduated from Necmettin Erbakan University, Department of Architecture in 2018.  She completed her master’s degree in building science at Eskişehir Osmangazi University in 2021 and started her doctorate education. She is still continuing her doctorate education. She is currently working in the fields of Virtual Reality, Augmented Reality and Artificial Intelligence within the scope of 100/2000 PhD Project.

Erhan Öztepe, Ankara University

Erhan Öztepe, who graduated from Ankara University, Faculty of Language, History and Geography, Department of Classical Archaeology in 1988, completed his master's degree in 1991 and his doctorate in 1999 in the same department. He continues to work as a professor at Ankara University, where he started to work as a research assistant in 1992. He has been chairing the Alexandria Troas Excavations since 2011. Since 2009, he has been a member of the Trabzon and Çanakkale Cultural Heritage Preservation Regional Board of the Ministry of Culture and Tourism. His fields of interests are Greek sculpture, Greek and Roman iconography, Cyprus archaeology, archaic and classical Cyprus sculpture.

References

Anay, H., Özten, Ü., & Özten Anay, M. (2014). Towards a Common Framework to Operate with: Mediating Experience Design and Architecture In Designing Experience: The Ballerina on the Elephant, edited by Peter Benz. Hong Kong.

Anay, H., Özten, Ü., Ünal, M., & Öztepe, E. (2022). Augmented experiences in archeological sites: Presentation of Alexandria Troas Podium Temple to visitor experience. Journal of Design for Resilience in Architecture and Planning, 3(1), 24-40.

Benz, P. (2015). Experience design. London: Bloomsbury Publishing.

Cannella, M. (2019). The Augmented Reality as an Instrument for the Representation/Visualization of Architecture. In Proceedings of the 1st International and Interdisciplinary Conference on Digital Environments for Education, Arts and Heritage: EARTH 2018 1 (pp. 336-344). Springer International Publishing.

Cannella, M. (2022). AR Methods for the visualization of the lost marble “Tribuna” in the main apse of the cathedral of Palermo. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 46, 129-134.

Canciani, M., & Saccone, M. (2016). 3D Survey and Augmented Reality for Cultural Heritage. The Case Study of Aurelian Wall at Castra Praetoria in Rome. In The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences.

Caudell, T. P., & Mizell, D. (1992). Augmented reality: An application of heads-up display technology to manual manufacturing processes. System Sciences, Proceedings of the Twenty-Fifth Hawaii International Conference.

Chang, Y.-L., Hou, H.-T., Pan, C.-Y., Sung, Y.-T., & Chang, K.-E. (2015). Apply an Augmented Reality in a Mobile Guidance to Increase Sense of Place for Heritage Places. Educational Technology & Society, 18(2), 166–178.

Cisternino, D., Gatto, C., & De Paolis, L. T. (2018). Augmented reality for the enhancement of Apulian archaeological areas. In Augmented Reality, Virtual Reality, and Computer Graphics: 5th International Conference, AVR 2018. Otranto, Italy,.

Dewey, J. (1980). Art as Experience. New York: Perigee Books.

Eisenstein, S. (1989). Montage and Architecture. Assemblage(10), 110-131.

Eisenstein, S., & Gerould, D. (1974). Montage of Attractions: For "Enough Stupidity in Every Wiseman". The Drama Review, 18(1), 77-85.

Expósito-Barea, M., Gómez Pérez, F. J., & Pérez Rufí, J. P. (2022). El proyecto Scipio: realidad aumentada en el conjunto arqueológico de Itálica. Hipertext. net: Revista Académica sobre Documentación Digital y Comunicación Interactiva, 25, 137-149.

Ganoza-Cabanillas, K., Gamboa-Cruzado, J., Moreno, O. A., Ruiz, J. S., & Cruz, . A. (2023). MOBILE APPLICATION WITH AUGMENTED REALITY FOR THE TOURIST EXPERIENCE: A CASE STUDY IN THE DISTRICT OF CASA GRANDE, PERUVIAN NORTH COAST. Journal of Positive Psychology and Wellbeing, 481-499.

Gimeno, J., Portalés, C., Coma, I., Fernández, M., & Martínez, B. (2017). Combining traditional and indirect augmented reality for indoor crowded environments. A case study on the Casa Batllómuseum. Computers & Graphics(69), 94-105.

Görkay, K. (2002). An Early-Imperial Podium Temple at Alexandria Troas. Bulletin Antieke Beschaving: Annual Papers on Classical Archaeology no:8.

Haugstvedt, A.-C., & Krogstie, J. (2012). Mobile augmented reality for cultural heritage: A technology acceptance study. IEEE international symposium on mixed and augmented reality (ISMAR) (s. 247-255). IEEE.

Liestøl, G. (2011). Learning Through Situated Simulations: Exploring Mobile Augmented Reality. ECAR Research Bulletin(1), 1-13.

Martínez, J., Álvarez, S., Finat, J., Delgado, F. J., & Finat, J. (2015). AUGMENTED REALITY TO PRESERVE HIDDEN VESTIGES IN HISTORICAL CITIES. A CASE STUDY. International Archives of the Photogrammetry, Remote Sensing & Spatial Information Sciences.

Marto, A., Melo, M., Gonçalves, A., & Bessa, M. (2021). Development and evaluation of an outdoor multisensory ar system for cultural heritage. IEEE Access(9), 16419-16434.

Milgram, P., & Kishino, F. (1994). A Taxonomy of Mixed Reality Visual Displays. IECE Tansactions on Information and systems no. E77-D, 12(12), 1321-1329.

Özten, Ü. (2019). Montage and Experience Architecture. Online Journal of Art and Design, 7(4).

Öztepe, E. (2017). 2017 Yılı Alexandria Troas. Anadolu/Anatolia, 226-227.

Schwerteim, E. (2002). Alexandria Troas. Çanakkale Troas Arkeoloji Buluşması.

Schwertheim, E. (2018). ASİA MİNOR STUDİEN 88 Neue Forschungen in Alexandria Troas.

Shedroff, N. (2001). Experience Design 1. Waite Group Press.

Sutherland, I. E. (1968). A head-mounted three dimensional display. In Proceedings of the December 9-11, fall joint computer conference, part I, (s. 757-764).

Texier, C. H. (2002). Küçük Asya: Coğrafyası, Tarihi ve Arkeolojisi. Ankara: Enformasyon ve Dökümantasyon Hizmetleri Vakfı Yayınları.

Vlahakis, V., Ioannidis, N., Karigiannis, J., Tsotros, M., Gounaris, M., Stricker, D., . . . Almeida, L. (2002). Archeoguide: an augmented reality guide for archaeological sites. IEEE Computer Graphics and Applications, 22(5), 52-60.

Wellner, P., Mackay, W., & Gold, R. (1993). Mack to the Real World. Communications of the ACM, 36(7), 24-26.

Wheatstone, C. (1838). XVIII. Contributions to the physiology of vision.—Part the first. On some remarkable, and hitherto unobserved, phenomena of binocular vision. Philosophical transactions of the Royal Society of London, 128, 371-394. https://moptil.com/apps/

Downloads

Published

27-06-2023

How to Cite

Anay, H., Özten, Ülkü, Ünal, M., & Öztepe, E. (2023). Augmented Reality for the Presentation of Cultural Heritage: On-Site Application and Evaluation of a Model. ICONARP International Journal of Architecture and Planning, 11(1), 323–345. https://doi.org/10.15320/ICONARP.2023.244

Issue

Vol. 11 No. 1 (2023)

Section

Articles

License

Copyright (c) 2023 ICONARP International Journal of Architecture and Planning

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

COPYRIGHT POLICY 

1. The International Journal of Architecture and Planning (ICONARP) open access articles are licensed under a Creative Commons Attribution-NonCommercial-NoDeriatives 4.0 International (CC BY-NC-ND 4.0). This license lets the author to share (copy and redistribute) his/her article in any medium or format.

2. ICONARP cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

The author must give appropriate credit, provide a link to ICONARP, and indicate if changes were made on the article. The author may do so in any reasonable manner, but not in any way that suggests the ICONARP endorses the author or his/her use.

The author may not use the article for commercial purposes.

If the author remix, transform, or build upon the article, s/he may not distribute the modified material.

The author may share print or electronic copies of the Article with colleagues. 

The author may use the Article within his/her employer’s institution or company for educational or research purposes, including use in course packs. 

3. The author authorizes the International Journal of Architecture and Planning (ICONARP) to exclusively publish online his/her Article, and to post his/her biography at the end of the article, and to use the articles. 

4. The author agrees to the International Journal of Architecture and Planning (ICONARP) using any images from the Article on the cover of the Journal, and in any marketing material. 

5. As the author, copyright in the Article remains in his/her name. 

6. All papers should be submitted electronically. All submitted manuscripts must be original work that is not under submission at another journal or under consideration for publication in another form, such as a monograph or chapter of a book. Authors of submitted papers are obligated not to submit their paper for publication elsewhere until an editorial decision is rendered on their submission. Further, authors of accepted papers are prohibited from publishing the results in other publications that appear before the paper is published in the Journal.

Funding data