ONE MORE COINCIDE BETWEEN ARCHITECTS AND LAYPERSONS ON THE AESTHETICS OF ZAHA HADID’S BUILDINGS

Authors

DOI:

https://doi.org/10.15320/ICONARP.2021.157

Abstract

Purpose

This study focuses on the subject of environmental aesthetics and aims to identify the differences and similarities that emerge in the general aesthetic evaluations toward the individual style, particularly examining the physical and connotative meanings in the buildings by Zaha Hadid.  The study further seeks to understand how individual style fosters aesthetic awareness or common perceptions on a universal level without causing a cultural difference.

Design/Methodology/Approach

A survey was conducted to understand the visual aesthetic evaluations of architects and laypersons over 16 buildings of Hadid—an architect who managed to develop her own individual style. The visual images created were evaluated in terms of sensorial and physical concepts in order to understand whether there was a common language by evaluating the aesthetic perceptions of subjects with different backgrounds, and to reveal the effect of individual style in forming a universal tongue. Descriptive statics, correlation analysis and independent t test were performed to conduct the evaluations.

Findings

According to analysis results, the rhythm and organic lines of a building are the most significant elements for building façades and masses in aesthetic evaluations. In addition, no significant differences regarding the dimensions of “liking”, “ornate”, “attractive”, “meaningful” and “warm” were found between the groups.

Research Limitations/Implications

The survey was conducted between two different subject groups; architects and laypersons. Specific parameters related to the sensorial concepts of the buildings were used. These parameters included the concepts of liking, pleasant, complex, familiar, meaningful, ornate and warm, while for the physical characteristics of the buildings, the concepts of regular/ irregular, full/ empty, rhythmic/ arrhythmic, soft/ hard, meaningful/ meaningless and symmetric/asymmetric were used.

Originality/Value

This study is significant insofar as it is among the rare research studies that found there to be no differences between architects and laypersons but rather, similarities between them.

Author Biographies

Berivan Özbudak Akça, DICLE UNIVERSITY

Berivan ÖZBUDAK AKÇA is currently working as an assistant professor for Dicle University Faculty of Architecture, Department of Architecture, Diyarbakır, Turkey. She graduated from Dicle University in 1999, conducted her M.Sc. in the same university in 2004. Her PhD is conducted in 2012 at Gazi University Faculty of Architecture in Ankara.

Ebru Erdoğan, Selcuk University

Ebru ERDOGAN received her PhD degree from the Faculty of Architecture at the University of Selcuk in 2010. She has been working as an associate professor in Selcuk University, Faculty of Fine Arts, Department of Interior Architecture and Environmental Design, Konya, Turkey. She has just completed her post- doc in the Department of Architecture at the University of Liverpool in 2020.

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Published

21-06-2021

How to Cite

Özbudak Akça, B., & Erdoğan, E. (2021). ONE MORE COINCIDE BETWEEN ARCHITECTS AND LAYPERSONS ON THE AESTHETICS OF ZAHA HADID’S BUILDINGS. ICONARP International Journal of Architecture and Planning, 9(1), 220–241. https://doi.org/10.15320/ICONARP.2021.157

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