Reading Interiors in 1980s Ankara: Transformation of Gallery Art Production and Private Art Galleries
DOI:
https://doi.org/10.15320/ICONARP.2024.306Keywords:
Art gallery, Memory, Modern interiors, Oral history, Private art galleryAbstract
This study examines Gallery Sanat Yapım, one of the first private art galleries in Ankara, as a representation of urban transformation in the 1980s. Gallery Sanat Yapım is analyzed using qualitative longitudinal research and document analysis. This process highlights its spatial and temporal transformations. To provide an understanding of the gallery's role in Ankara's art scene, the research incorporates data collected through interviews in addition to an analysis of written, visual, and audio materials. The evaluation includes an examination of these sources to reveal the impact of galleries on Ankara's cultural scene. In contrast to government-supported art galleries, this research emphasizes the distinctive characteristics of private galleries, such as Gallery Sanat Yapım, which played a pivotal role in shaping Ankara's cultural identity. Thus, as a cultural and urban setting, the importance of gallery spaces is emphasized through the evaluation of interior space and spatial context. Furthermore, a comprehensive understanding of the spatial components offers crucial insights into audience engagement with artworks. In conclusion, the findings shed light on the opportunities and challenges faced by both private and state-supported art galleries during the period. This research contributes novel perspectives on the intersection of space, art, and society within Ankara's evolving urban landscape, thereby enriching scholarly discourse. Ultimately, the study underscores the crucial role of private galleries in preserving and shaping the city's cultural heritage, paving the way for future academic investigations in this field.
Metrics
References
Artun, A. (2014). Modernizm Kavramı ve Türkiye'de Modernist Sanatın Doğuşu. İstanbul: İletişim Yayınları.
Ağlargöz, F., & Öztürk, S. A. (2015). Sanat Dünyasının Kültürel Aracıları: Türkiye’deki Sanat Galerilerinin Profili. Süleyman Demirel Üniversitesi Güzel Sanatlar Fakültesi Hakemli Dergisi, 15, 27–51. DOI: 10.21602/sgsfsd.14923
Artun, A. (2014). Orası Kamusal Alan. Ankara: Siyah Beyaz Sanat Galerisi.
Asar, H., & Çebi, D. P. (2018). Mimari Temsillerde Kişisel Anlatılar: Karışık Yapılı Temsiller ve Dillendirdikleri. Uluslararası Hakemli Tasarım ve Mimarlık Dergisi, 14, 119. DOI: 10.17365/TMD.2018.2.4
Bryman, A. (1988). Quantity And Quality In Social Research. London: Unwin Hyman.
Bourdieu, P. (1984). Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.
Creswell, J. W. (2013). Nitel Araştırma Yöntemleri. Ankara: Siyasal Kitabevi.
Eczacıbaşı Sanat Ansiklopedisi. (1997). Cilt 3. İstanbul: Yapı-Endüstri Merkezi Yayınları.
Girgin, F. (2014). Çağdaş Sanatta, Sanatın Malzemesi Olarak Mekân. Akdeniz Sanat Dergisi, 7(13), 214–234.
Göğebakan, Y. (2015). Müze Ve Sanat Galerilerinde Kullanılan Doğal Ve Yapay Aydınlatma Araçlarının Tercihine Yönelik Yaklaşımlar. The Journal of Academic Social Science Studies, 40, 107–130. DOI: 10.9761/JASSS3155
Groys, B. (2014). Sanatın Gücü. İstanbul: Hayalperest Yayınevi.
Kurak Açıcı, F. (2015). İç Mekânda Sınır Ögeleri. Ankara: Akademisyen Kitabevi.
O'Doherty, B. (2010). Beyaz Küpün İçinde: Galeri Mekânının İdeolojisi. İstanbul: Sel Yayıncılık.
Önsal, B. (2006). Emergence of Art Galleries in Ankara: A Case Study of Three Pioneering Galleries in the 1950s (Master's thesis, Middle East Technical University, Graduate School of Social Sciences, Media and Cultural Studies).
Soyluk, A., & Yıldız, A. (2017). Ankara’da Tek Kişilik Hane Halkları İçin Tasarlanmış Küçük Konutlar. Uluslararası Hakemli Tasarım ve Mimarlık Dergisi, 10, 256–274. DOI: 10.17365/TMD.2017.1.002.x
Şenyapılı, Ö. (2011). 1980’lerden Bugüne: İbrahim Demirel ve Sanat Yapım. İstanbul: Sanat Yapım Yayıncılık.
Üstünipek, M. (2007). Tanzimat’tan Cumhuriyet’e Çağdaş Türk Sanatında Sergiler 1850–1950. İstanbul: Arte Yayınları.
Yin, R. K. (2009). Case Study Research: Design and Methods (4th ed.). Thousand Oaks, CA: Sage Publications.
Sanat Portalı Lebriz. (Access Date: February 7, 2022). http://lebriz.com/pages/lsd.aspx?lang=TR§ionID=0&articleID=1269&bhcp=1
Artun, A. (Personal Website). (Access Date: February 7, 2022). http://www.aliartun.com/yazilar/ankaranin-oncu-galerileri/
Salt Araştırma. (Access Date: May 31, 2022). https://archives.saltresearch.org/handle/123456789/191093
Yandex Location Information for Gallery Sanat Yapım. (Access Date: September 23, 2024). https://yandex.com.tr/harita/org/galeri_sanat_yapim/1148035642/?ll=32.816948%2C39.930599&z=17
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 ICONARP International Journal of Architecture and Planning
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
COPYRIGHT POLICY
1. The International Journal of Architecture and Planning (ICONARP) open access articles are licensed under a Creative Commons Attribution-NonCommercial-NoDeriatives 4.0 International (CC BY-NC-ND 4.0). This license lets the author to share (copy and redistribute) his/her article in any medium or format.
2. ICONARP cannot revoke these freedoms as long as you follow the license terms. Under the following terms:
The author must give appropriate credit, provide a link to ICONARP, and indicate if changes were made on the article. The author may do so in any reasonable manner, but not in any way that suggests the ICONARP endorses the author or his/her use.
The author may not use the article for commercial purposes.
If the author remix, transform, or build upon the article, s/he may not distribute the modified material.
The author may share print or electronic copies of the Article with colleagues.
The author may use the Article within his/her employer’s institution or company for educational or research purposes, including use in course packs.
3. The author authorizes the International Journal of Architecture and Planning (ICONARP) to exclusively publish online his/her Article, and to post his/her biography at the end of the article, and to use the articles.
4. The author agrees to the International Journal of Architecture and Planning (ICONARP) using any images from the Article on the cover of the Journal, and in any marketing material.
5. As the author, copyright in the Article remains in his/her name.
6. All papers should be submitted electronically. All submitted manuscripts must be original work that is not under submission at another journal or under consideration for publication in another form, such as a monograph or chapter of a book. Authors of submitted papers are obligated not to submit their paper for publication elsewhere until an editorial decision is rendered on their submission. Further, authors of accepted papers are prohibited from publishing the results in other publications that appear before the paper is published in the Journal.